Area di ricerca: COLLANA
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| 1. |  € 175,00 | EAN-13: 9781912554409 B. Navarrete Prieto
Murillo: Persuasion and Aura
| Edizione: | Brepols Publishers, 2021 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 175,00 | | Descrizione | This book examines how Murillo constructed his paintings and the devices he employed to provoke responses in the viewer, both then and now. |  Aggiungi al Carrello |
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| 2. | € 150,00 | EAN-13: 9781912554065 K. Leonhard
The Fertile Ground of Painting: Seventeenth-Century Still Lifes and Nature Pieces
| Edizione: | Brepols Publishers, 2020 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 150,00 | | Descrizione | Still Life painting thematizes the ability of Nature and Art to produce similarities and is therefore predestined for a theorization of mimetic strcutures of Art in general. | Aggiungi al Carrello |
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| 3. | € 175,00 | EAN-13: 9781912554041 A. Hoare
Salvator Rosa, Friendship and the Free Artist in Seventeenth-Century Italy
| Edizione: | Brepols Publishers, 2018 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 175,00 | | Descrizione | This book examines the Neapolitan painter and satirist Salvator Rosa (1615-1673) from a new perspective. Preoccupied with a performative brand of self-manufacture that is everywhere apparent in his work as an artist, satirist and actor, Rosa was a key protagonist in a period of significant social change. | Aggiungi al Carrello |
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| 4. | € 60,00 | EAN-13: 9781912554096 F. Pereda
Crime and Illusion. The Art of Truth in the Spanish Golden Age
| Edizione: | Brepols Publishers, 2018 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 60,00 | | Descrizione | The book explores the artists? skeptical reflection on the problematic relationship of painting and sculpture to the art of truth. | Aggiungi al Carrello |
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| 5. | € 225,00 | EAN-13: 9781905375882 A. Hoare
The Letters of Salvator Rosa (1615?1673). An Italian Transcription, English Translation and Critical Edition
| Edizione: | Brepols Publishers, 2018 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 225,00 | | Descrizione | This multi-volume publication is not available through our webshop. To order a copy, contact us by email: info@brepols.net. | Aggiungi al Carrello |
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| 6. | € 100,00 | EAN-13: 9781909400801 E. Lingo
Mochi's Edge and Bernini's Baroque
| Edizione: | Brepols Publishers, 2017 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 100,00 | | Descrizione | This book takes the extraordinary art of the Tuscan sculptor Francesco Mochi (1580-1654) as the entry point for an inquiry into the historical and cultural forces reshaping sculpture at the beginning of the seventeenth century. | Aggiungi al Carrello |
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| 7. | € 115,00 | EAN-13: 9781909400238 N. Baadj
Jan van Kessel I (1626-1679): Crafting a Natural History of Art in Early Modern Antwerp
| Edizione: | Brepols Publishers, 2016 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 115,00 | | Descrizione | The curious art of Jan van Kessel provides an intriguing lens through which to explore the intersections between craft practices, collecting, and the pursuit of natural knowledge in early modern Antwerp. | Aggiungi al Carrello |
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| 8. | € 70,00 | EAN-13: 9781909400399 C. Fowler
Drawing and the Senses: an Early Modern History
| Edizione: | Brepols Publishers, 2016 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 70,00 | | Descrizione | A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. | Aggiungi al Carrello |
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| 9. | € 120,00 | EAN-13: 9781909400429 A. Bubenik
Perspectives on the Art of Wenceslaus Hollar (1607-77)
| Edizione: | Brepols Publishers, 2016 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 120,00 | | Descrizione | This collection of essays offers critical perspectives on the creation and reception of prints and drawings by Wenceslaus Hollar (1607-77), and seeks to contribute to a new appreciation of an undervalued and excitingly interdisciplinary artist. | Aggiungi al Carrello |
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| 10. | € 125,00 | EAN-13: 9781909400115 V. I. Stoichita
The Self-Aware Image. A Revised and Updated Edition. An Insight Into Early Modern Meta-Painting
| Edizione: | Brepols Publishers, 2015 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 125,00 | | Descrizione | The notion of the painting as an art object is a relatively recent invention. The Self-Aware Image offers an impressive and complex account of the origins and development of this invention from the late Renaissance through the end of the baroque age. In comparison to the "old" image characterized by its preeminently liturgical function and its display in a predetermined space, the painting as the "new" image is increasingly autonomous and movable. As a modern art object, the painting becomes the focus of an aesthetic contemplation through its insertion into a gallery or a collection. As a result of the Protestant iconoclasm and the advancement of scientific knowledge, the essence and role of the image is put into question and thematized not only by theologians and scholars, but especially by artists. The painting thus becomes a field of visual experimentation in which art reflects on itself, its potential, its limits, its truth, and its nothingness. The representation of windows, doors, niches, mirrors, and paintings enable artists to embed the image within the image, to "frame" the fictiveness of the image in order to deceive, puzzle, and challenge the beholder. The pictorial devices through which artists introduce their authorial self into the image and stage the making of the image itself form the foundation of a new poetics: the poetics of metapainting.First published in French in 1993, Victor Stoichita?s Self-Aware Image has become a classic of the history of art. This new, updated, and improved English edition marks the twentieth anniversary of a work that radically changed the perception of seventeenth-century art and that constitutes an ever-valid reference for contemporary scholarship. An introduction by Lorenzo Pericolo illustrates the great importance of the book for our comprehension of baroque painting. | Aggiungi al Carrello |
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| 11. | € 125,00 | EAN-13: 9781905375837 A. Knaap
Art, Music and Spectacle in the Age of Rubens
| Edizione: | Brepols Publishers, 2013 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 125,00 | | Descrizione | This volume presents an interdisciplinary study of the triumphal entry of the Cardinal-Infante Ferdinand into Antwerp in 1635, and pays special attention to Rubens?s monumental arches and oil sketches that ornamented the entry. | Aggiungi al Carrello |
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| 12. |  € 200,00 | EAN-13: 9781905375486 L. Pericolo
Caravaggio and Pictorial Narrative. Dislocating the Istoria in Early Modern Painting
| Edizione: | Brepols Publishers, 2011 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 200,00 | | Descrizione | "Truly a distinguished achievement, this book is required reading for general readers as well as specialists in the history of art" (Charles Dempsey, The Johns Hopkins University)
A very important part of Caravaggio?s production consists of pictorial narratives, mostly religious. Thus, according to early modern aesthetics, Caravaggio practiced the artistic genre of the istoria: the most discussed and thoroughly defined pictorial institution of his time. Unanimously, seventeenth-century artists and art theorists censored and condemned Caravaggio?s art for its numerous deficiencies and faults in regard to the principles of the istoria. In spite of all these testimonies, Caravaggio?s innovations in and misuses of the techniques specific to early modern pictorial narrative have never been systematically studied, debated, and put into historical perspective. In this volume, Lorenzo Pericolo argues that Caravaggio?s multiple experimentations with the traditional devices of the istoria not only represent the core of an unprecedented "poetics of dislocation," but also unsettled, dismantled, and expanded the scope of pictorial narrative in ways that would have redefined and deeply transformed the concept of painting and artistic creation, had Caravaggio?s enterprise not have been ferociously criticized and stigmatized as both aberrant and defective. To solidly establish the importance and groundbreaking charge of Caravaggio?s work, Pericolo examines the notion of Leon Battista Alberti?s istoria as interpreted and developed by early modern artists and theorists?from Leonardo to Vasari, from Lomazzo to Poussin, and from Michelangelo to Bellori?in vast surveys in which the concepts of diachrony, duration, eurythmy, propriety, verisimilitude, and pictorial truth? among others?are carefully examined on a theoretical and practical level. By analyzing the paintings of Caravaggio?s followers such as Cecco del Caravaggio, Battistello Caracciolo, Valentin de Boulogne and, not least, Diego Velázquez, Pericolo explores how Caravaggio?s innovations in the domain of pictorial narrative were variously construed, elaborated upon, and brought to fruition in the aftermath of the master?s death in 1610, thereby offering a critical explanation of the implosion and extinction of the Caravaggesque movement in the 1630s. | Aggiungi al Carrello |
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| 13. |  € 100,00 | EAN-13: 9781905375042 G. Martin
Rubens in London. Art and Diplomacy
| Edizione: | Brepols Publishers, 2011 | | Collana: | Studies in Baroque Art |
Tempi di rifornimento |
Indicativamente procurabile in 15-20 giorni lavorativi | | Info disponibilità | Rifornimento in corso | | Prezzo di acquisto | € 100,00 | | Descrizione | The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts, that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones?s Banqetting Hall, the ceremonial centre of the Court in Whitehall - a monument that is still intact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book.
How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London.
The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval painting as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece.
The Author, Gregory Martin, has been interested in the ceiling paintings of the Banquetting Hall ever since he worked at the National Gallery in the 1960s, when he wrote the catalogue of the Gallery's Flemish paintings. Towards the end of his subsequent career at Christie's, where he was a director concerned with old master paintings, he was commissioned to write the Corpus Rubenianum volume on the ceiling decoration of the Banquetting Hall which was published in 2005. In the present book he returns to the subject, treating it and the related matter of Rubens in London in a way designed to appeal to a wider readership. | Aggiungi al Carrello |
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